Collaborated with the talented team at Amazon to produce graphics for more than 120 shots in this series. As Senior Art Director at Perception, I led a dedicated team of full-time and freelance artists, ensuring we not only met tight deadlines but also upheld the highest standards of quality and creativity throughout the project.

Future tech AR visualization. The goal was to visualize a user approaching their vehicle and getting key metrics you might expect to see, (map route home, remaining battery miles) taking into consideration the space surrounding the vehicle.

Inspired by the visuals of the Quantum Realm, Perception’s main on end title sequence features fluid motion, vivid colors and brilliant footage of microscopic chemical reactions to take viewers on a voyage through these vibrant compositions. In this film, Ant-Man (Paul Rudd) and The Wasp (Evangeline Lilly) find themselves journeying through the Quantum Realm and coming face to face with people and challenges like never before. Since this film focuses so heavily on the Quantum Realm, our team decided to center our end title sequence around this unusual and abstract area of the Marvel Cinematic Universe.

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Marvel Studios asked our team at Perception to conceptualize the advanced technology for Wakanda for their newest film, Black Panther: Wakanda Forever. Our teams spent 2 years collaborating on Black Panther: Wakanda Forever, designing, building and visualizing technology that has progressed from the technology we crafted for Black Panther. I contributed a range of new designs, from HUDs and smart screens to interfaces and holograms.

Had the pleasure of with General Motors for several years, establishing a strong collaboration on the future of digital experience. In 2019, GMC's Design Team introduced us to the top secret Supertruck, the GMC Hummer EV. The team at General Motors was very ambitious in their approach, allowing myself and the team at Perception to really push the boundaries of what could be achieved. The main tasks at hand were to design new UI/UX for the instrument cluster (Dashboard), Centre stack (Main screen) and the many different modes the Hummer EV could take on.

I worked with the team at Paramount on their new superhero film, Secret Headquarters. The source of the Guard’s technology comes from an orb-shaped energy core. This core is from a distant, alien planet. When Jack Kincaid, also known as the Guard (Owen Wilson) discovers this orb, he uses his background as an IT expert to “hack” the core and create his own superhero technology that he can utilize and is familiar to him. Working with the team at Perception I Art Directed over 110 shots for this film, a huge undertaking involving a solid core of designers.

In this film, Doctor Strange (Benedict Cumberbatch) faces the vast possibilities and dangers of the multiverse after casting a forbidden spell. I helped develop technology, interfaces, and HUDS for several integral characters that Doctor Strange encounters in this wild journey.

Great experience to work with the team at Maxon on a brand promo, showcasing the Maxon One suite of tools for creators. I created all the User Interface graphics for this project, animated the 3D graphics, and 3D sculpted / textured the Alien helmet. Was a fun project to work on, having lots of creative control to really bring life to the concepts.

Working with the team at Perception and Marvel Studios, we took note of the variety of themes that would be included within the The Falcon and The Winter Soldier. Conspiracies, suspicions, and rebellion are growing amongst society, aiding in the development of themes such as the usage of propaganda and the effects of trauma. These themes would play a big role in the growth of the characters and the plot, so we wanted to expand on them within this sequence.

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Working with Marvel and film director Destin Daniel Cretton to Art Direct and design the main on end title. The design direction was to make everything in the sequence be represented as water, matching a magical water map that we see in the film. In addition to the Title sequence, I also worked on several holograms and car screens that are seen later in the film.

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Black Widow (2021) introduces Dreykov, the military overseer of the Widows, and recruiter of Natasha Romanoff. Working with the team at Perception, I helped bring the technology of Dreykov's underground world to life for film audiences around the globe. We explored how Soviet Union era technology, Brutalism, and Constructivism might have converged in the technology surrounding Dreykov and the Red Room's headquarters.

Working with the team at Perception, I had a blast creating many different screen visualizations for this amazing film from director Shawn Levy. We created large format multi panel information screens, main character Desktops, In game menu and character screens, and more back end programming screens.

Concept boards for the title sequence to the show Curfew - A group of amateur drivers from all over the world compete in an illegal night-time street race.

Interface concepts made for the NIO automotive company.

From Fury tech to Stark tech, and functional to super-advanced User Interfaces, this project for Marvel Studios was a dream to Art Direct.
Working closely with VFX production to character-led briefs and colour palettes, I helped created screens and holographic concepts for key scenes, to help support some quite complex visual storytelling.

Concept boards for the title sequence to the film Robin hood- A war-hardened Crusader and his Moorish commander mount an audacious revolt against the corrupt English crown.

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Women In the workplace pitch animation

Art Direction, Design, Animation and on set graphics

Created many different graphics and animations for security screens, outdoor billboard adverts and labrotory.

I was involved in many aspects of the post production for this film. Including concepts and initial design work for 3D street signage and holograms, car interior map holograms, advertising billboards and logo signage of this futuristic world.

Ubisoft contacted Territory Studio to come up with some FUI / Hologram concepts for Beyond Good & Evil 2.

National Geographic Channel commissioned Year Million, a 6-part docudrama looking at how humans will live a million years from now

I designed and animated many different animations involved in this series, from worm holes to scientific explorations and diagrams.

From Art Direction to animation, really enjoyed working on this project, creating sci-fi related backgrounds for the game: Quiz Time.

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HERE technologies, large scale installation for CES2018 Dubai - showcasing the benefits of the company's future facing products and services.

Working with Creative Director John Sunter to help create this futuristic world, created at 8k for an installation in Dubai. Main tasks involved were helping art direct the VFX for a green-screen, initial 3D builds/ renders and asset creation.

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Nike Sydney

Designed and animated UI / HUD graphics for Apex Legends - Crypto Trailer.

This was a great job to work on with Director Mads Broni. I created the User Interfaces to reflect the iconic style of the film, giving them an anime futuristic look and feel.

Screen graphics for A-X-L, a robotic canine character in the short film, Miles.

The graphics I animated were for a fictional introductory video that appears after contact with the robotic canine. The graphics show off the weaponry and unique abilities of the robot in a stylised military form.

I was involved in creating initial concepts and animation on many shots, bringing to life the UI world and 3D elements used in the film.

3D animations for a special news presentation ident for Apex legends

Lots of fun creating different animated concepts for a news ident representing hammond industries

Wanting a high tech look that supported the quest lead by a super advanced scientific research facility, Ridley Scott’s art team turned to Territory Studio for screen graphics. Not only were the team all Alien fans, but as graphic designers we revere Ron Cobbs iconic design work.

Short billboard advertisement I created that ran before the BBC 'The Genius Behind' series on the BBC worldwide channel.

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Pioneering engineering company Desktop Metal needed a high end product film to promote its innovative metal 3D printing system.

Art Direction / Design / Animation for a TEDx talk by Rachael Donalds.

The animations help explain the process of the Biosay app, which analyzes biometric data to determine how your physical and social surroundings impact our physical and mental health in the real-world and in real-time.

BP Exploration Film